{"id":2222,"date":"2024-06-01T13:25:42","date_gmt":"2024-06-01T13:25:42","guid":{"rendered":"http:\/\/rebeccagould.co.uk\/?page_id=2222"},"modified":"2026-09-03T09:18:52","modified_gmt":"2026-09-03T09:18:52","slug":"cv","status":"publish","type":"page","link":"https:\/\/rebeccagould.co.uk\/?page_id=2222","title":{"rendered":"ABOUT"},"content":{"rendered":"Rebecca Gould is a multi-disciplinary artist. She works with sculpture, video and text, her installations explore labour, often through non-braided narrative writing, quilting and other acts of obsessive care.\n\nGould critically examines the intersection of work, capital, and domesticity, particularly focusing on how these factors shape the UK&#8217;s fractured society, the collective effect this has on individuals, how to eradicate <em>professionalism<\/em> and to live as a collective.\n\nShe co-founded, <a href=\"http:\/\/www.studiocybi.com\" target=\"_blank\" rel=\"noopener\">STUDIO CYBI<\/a>, an artist-led project that came from a desire to collaborate and create occasional manifestations, acting as both a nucleus of productivity and a social venture, which encompasses; exhibitions, events, public commissions and publications. They were awarded a Create grant, The Arts Council of Wales, to publish their <a href=\"https:\/\/studiocybi.com\/manifesto\/\" target=\"_blank\" rel=\"noopener\">manifesto<\/a>, encapsulating their philosophy of shared autonomy and grassroots art, 2022. They were awarded The Artes Mundi <a href=\"https:\/\/artesmundi.org\/announcing-the-wales-venice-10-artes-mundi-commissions\/\" target=\"_blank\" rel=\"noopener\">Venice10 commission<\/a> 2023.\n\nGould is currently working on her first novella (working title) <em>The Southstack Fleawort, <\/em>a tale of a middle aged breakdown.<span class=\"Apple-converted-space\">\u00a0<\/span>\n\nShe was selected for the ARCADECAMPFA <a href=\"https:\/\/arcade-campfa.org\/Past-2\" target=\"_blank\" rel=\"noopener\">Library Residency<\/a> 2024\n<figure class=\"wp-block-image size-full\"><\/figure>\nYou can find her on <a href=\"https:\/\/www.instagram.com\/rebecca__gould\/\"><strong>Instagram<\/strong><\/a>\n\nIf you would like to get in touch <strong><a href=\"mailto:rebecca@rebeccagould.co.uk\" target=\"_blank\" rel=\"noopener\">email<\/a>\u00a0<\/strong>\n\nFull CV available on request\n\n&nbsp;\n\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2403\" src=\"http:\/\/rebeccagould.co.uk\/wp-content\/uploads\/2025\/05\/IMG_1995-e1763999315779.jpeg\" alt=\"\" width=\"420\" height=\"560\" \/>\n<figure class=\"wp-block-image alignleft size-full\"><\/figure>\n<!-- \/wp:post-content -->\n\n<!-- wp:paragraph {\"fontSize\":\"medium\"} -->\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:code -->\n\n<!-- \/wp:code -->\n\n<!-- wp:paragraph -->\n\nTestun\/with, a conversation between artists Kath Ashill and Rebecca Gould, July 2025, 1 hr 9 min\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/episode\/5ZcqnoplMXcsPIwPnomXRN?theme=0\" width=\"100%\" height=\"152\" frameborder=\"0\">\n<\/iframe>\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<em>SELECTED CV<\/em>\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<em>EDUCATION &amp; FELLOWSHIP HISTORY<\/em>\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2020 &#8211; 2022<\/strong> THE FREELANDS FOUNDATION Artist Support Programme, London\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2020 &#8211; 2022<\/strong> DEVOTION, Practice-based Writing Programme, online\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2004 &#8211; 2005<\/strong> MA Fine Art, CENTRAL SAINT MARTIN\u2019S, London\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>1999 &#8211; 2002<\/strong> (1<sup>st<\/sup> Class Hons) BA (Hons) Fine Art, CARDIFF UNIVERSITY, Cardiff\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>1998 &#8211; 1999<\/strong> Foundation Course in Art &amp; Design (Distinction) COLEG MENAI, Bangor\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<em>COLLABORATIVE PROJECTS<\/em>\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2016 &#8211; present <\/strong>Studio Cybi, Founder, Fundraiser and Organiser in Collaboration with Iwan Lewis\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<em>AWARDS, COMMISSIONS &amp; GRANTS<\/em>\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2024 <\/strong>ARCADECAMPFA, Writer in Residence Grant recipient\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2023<\/strong> ARTES MUNDI, Venice 10 Production Grant (Studio Cybi)\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2020 &#8211; 2022 <\/strong>FREELANDS FOUNDATION Artist Fellowship Grant\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2022 <\/strong>THE ARTS COUNCIL OF WALES, CREATE Grant (Studio Cybi)\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2020, 2021 <\/strong>THE ARTS COUNCIL OF WALES Cultural Response Small Grant\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2020 <\/strong>FREELANDS FOUNDATION Emergency Grant recipient\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2020 <\/strong>THE ARTS COUNCIL OF WALES, Emergency Grant (Studio Cybi)\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2019 <\/strong>THE EATON FUND Grant Recipient\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2017<\/strong> Nominated for THE PAUL HAMLYN FOUNDATION Award for Artists\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2015<\/strong> WALES ARTS INTERNATIONAL Travel Award\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2013<\/strong> Commission, CONWY FEAST FESTIVAL, Public artwork\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2012<\/strong> Awarded DEPARTURE FOUNDATION Bursary Studio\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2011<\/strong> Invited and Shortlisted for GRANGE GARDENS Sculpture Commission\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2008<\/strong> Individual Artist Project Grant, THE ARTS COUNCIL OF WALES\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2007<\/strong> Commission, LOCWS INTERNATIONAL 3, Public artwork\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<em>STUDIO CYBI<\/em>\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2025 <\/strong>THE LIGHT AT THE END OF THE DIAL, Two audio pieces on Resonance FM and Resonance Extra.\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2025<\/strong> RADIOPHRENIA, Two audio works broadcast on radio festival based in Glasgow\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2024<\/strong> ARE THE STONES STILL STANDING STILL, Staffordshire St, Peckham, London, Studio Cybi\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2024 <\/strong>LAPIWCH O A\u2019I WERTHU YN OL I FI, STORIEL, NCAGW commission, Studio Cybi\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2024 <\/strong>NO BOUNDS RADIO, Online one hour radio broadcast, Studio Cybi\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2023 <\/strong>Plantlife Cymru and Ucheldre Centre artwork commission, WHO GETS TO LIVE IN PARADISE Studio Cybi; ARTES MUNDI, Venice 10 Production Grant, Studio Cybi\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2022 <\/strong>THE ARTS COUNCIL OF WALES, CREATE Grant, Studio Cybi\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2021<\/strong> POWLTIS, group exhibition cur. Studio Cybi, Mynydd Twr, Holyhead, online<strong>; <\/strong>TWMPATH, Solstice Radio, Made in Roath, Cardiff, Radio broadcast; SUMP, Lauren de S\u00e1 Naylor, Studio Cybi, online video premiere; UFTAROT DIVINATION SOCIETY, live event Studio Cybi, online\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2020 <\/strong>TWMPATH<em>, <\/em>Radio broadcast, Studio Cybi, MONTEZ PRESS RADIO, New York; THE ARTS COUNCIL OF WALES, Emergency Grant, Studio Cybi\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2019 <\/strong>TYRANNICAL REGINA, Studio Cybi, Public artwork commission at Llawn Festival, Llandudno; FFYNNON GWENFAEN group exhibition cur. Studio Cybi, St. Gwenfaen\u2019s Well, Ynys Cybi\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2018<\/strong> THINGS WE SAID, group exhibition cur. Studio Cybi, Caergybi\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2017<\/strong> STUDIO CYBI commissioned to design cocktail for a-n ASSEMBLE event in Liverpool; STUDIO CYBI featured a-n poster of 100 hot artist-led spaces in the UK\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2016<\/strong> CUL-DE-SAC, group exhibition cur. Studio Cybi, Emrys Williams The Studio, Llandudno; ALLEGORY OF THE CAVE, group exhibition cur. Studio Cybi, Caergybi\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<em>SOLO &amp; DUO EXHIBITIONS<\/em>\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2022<\/strong> <a href=\"https:\/\/sidmotiongallery.co.uk\/wp-content\/uploads\/SMG_Radical-Lethargy-Preview.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">RADICAL LETHARGY<\/a>, Duo with Iwan Lewis, SID MOTION GALLERY, London, DUO\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2021<\/strong> TONNAU O CARIAD, Duo with Iwan Lewis, BAYART, Cardiff, DUO\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2015 <\/strong>GIRLS, Duo with Lindsey Mendick, PERICLO, Oriel Wrexham, DUO\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2014<\/strong> CLAIRE DANES, Gallery 6, MOSTYN, Llandudno, SOLO\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2006 <\/strong>BEAUTY AND THE BEAST, THE UCHELDRE CENTRE, SOLO\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2003<\/strong> DIXI TRIXI, Spotlight, MOSTYN, Llandudno, SOLO\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2002<\/strong> OPHELIA, Outside THE NATIONAL MUSEUM OF WALES, Cardiff, SOLO\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<em>SELECTED PRESS &amp; PUBLICATIONS<\/em>\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2026 <\/strong><em>The Future Present<\/em>, limited edition artist book, Loophole Projects\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2025 <\/strong>TESTUN TESTUN, podcast by Dylan Huw, Conversation with Kath Ashill, featuring a chapter from <em>The Southstack Fleawort<\/em>\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2025 <\/strong><em>Artist-led spaces Survey, <\/em>bilingual publication &amp; interview featuring Studio Cybi, published by Studio Made\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2024 <\/strong><em>This Space Is For The Curious<\/em>, interview featured in creative essay by Lucy Smith, published by ARCADECAMPFA\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2024 <\/strong>ENGAGE JOURNAL 47, David Cleary, Interview and article featuring Studio Cybi\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2023<\/strong> <em>No Time To Plan An Ending<\/em>, bilingual publication &amp; interview, G39, THE FREELANDS FOUNDATION &amp; THE ARTS COUNCIL OF WALES; <em>Chwareli, tyllau a phosibiliadau<\/em>, Dylan Huw, BARN, Tachwedd 2023\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2022<\/strong> Book publication featuring article on my work, <em>How To Symbolise This Fuck You, <\/em>by writer Rebecca May Johnson, <em>Aggregate<\/em>, FREELANDS FOUNDATION; <em>Alone Together<\/em>, bilingual manifesto, Studio Cybi, THE ARTS COUNCIL OF WALES\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2021 <\/strong>THE EXCHANGE,<em> Eastside Projects, <\/em>CAMP,<em> g39, Newbridge, Spike Island &amp; Turf Projects; <\/em><a href=\"https:\/\/irp-cdn.multiscreensite.com\/2171623f\/files\/uploaded\/Research%20into%20developing%20internationally%20connected%20practice.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">RESEARCHING AND IMAGINING SUPPORT FOR WELSH AND WALES BASED ARTISTS TO DEVELOP AND SUSTAIN INTERNATIONALLY CONNECTED PRACTICES<\/a><em>, Adlewyrchu<\/em>, Digital publication with interview, commissioned by Louise Hobson\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2020<\/strong><em> The Skies Will Rearrange Themselves<\/em>, FREELANDS FOUNDATION, online symposium\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2019<\/strong> <em>ONANIA d r e a m s<\/em>, cur. LAUREN DE S\u00c1 NAYLOR, Todmorden\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2017<\/strong> MOUSSE Magazine, review WAGSTAFF\u2019S, Mostyn; <em>AQNB<\/em>, review Stored in the Depths, ISTHISIT?\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2015<\/strong> GUARDIAN GUIDE, Pick of the week, <em>A Bestiary; <\/em>Book publication, <em>Neru Phuyt<\/em> Issue II, MRS PATTERSON\u2019S PRESS\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2014<\/strong> Publication, <em>Claire Danes,<\/em> Gallery 6, MOSTYN, featuring images &amp; interview between artist &amp; Alfredo Cramerotti Director of Mostyn; CCQ, online, Review of <em>Claire Danes<\/em>\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2013<\/strong> CCQ, Issue 1, Review of <em>Exotic Crop<\/em> by Neil McNally\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2012<\/strong> Book publication, <em>It Was Never Going To Be Straightforward<\/em>, G39; Catalogue, CAVE, Liverpool Art Fair\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2011 <\/strong>BBC NEWS,<em> London, Grange Gardens Shortlist<\/em>, online news of public artwork\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2008 <\/strong>ARTY, magazine, no 24, featuring images\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2007 <\/strong>Catalogue, LOCWS International 3, featuring images and text written about public commissioned sculpture<em>; <\/em>GUARDIAN GUIDE, Pick of the week, review of <em>O Dreamland; <\/em>A-N MAGAZINE, <em>LOCWS 3<\/em> \u2013 Art across the city review, May; ARTY, magazine, no 23, featuring images of work; <em>tuchwith<\/em>, magazine, cyfrol 27, featuring images of work; MARMALADE, <em>Don\u2019t Call Us, Call Them, New Talent, <\/em>magazine, issue 13\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2006 <\/strong>A-N MAGAZINE, <em>Beauty and The Beast<\/em> review; Catalogue, THE SHAMAN PROJECT II; Catalogue, THE NATIONAL EISTEDDFOD\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<em>SELECTED GROUP EXHIBITIONS<\/em>\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2025 <\/strong>FIRST THE BLADE, THEN THE EAR, NAN MOORS, Todmorden; The Errant Collaborators (a play within a play) MIRROR, Plymouth; Stage II, LLE at BAYART, Cardiff; BEEP &amp; Do Androids Dream?, ORIEL CROESOR\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2023 <\/strong>Pebble\/Shoe, LLE at KINGSGATE PROJECT SPACE, London\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2022<\/strong> Welcome to Sunny Prestatyn, LOOPHOLE PROJECTS, ArcadeCampfa, Cardiff; Welcome to Sunny Prestatyn, Loophole Projects, MOSTYN, Llandudno; Aggregate, FREELANDS FOUNDATION, London; 40 plus 1, STORIEL, Bangor\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2021 <\/strong>PUBLIC ARTWORK, Work printed on billboards, Various locations Cardiff City Centre, Wales in collaboration with g39, Cardiff and Jack Arts, London; No Time To Plan An Ending, G39, Cardiff; Your Foot In My Face and Other Tectonic Strategies, KINGSGATE PROJECT SPACE, London\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2020<\/strong> Gron yn cyflwyno: Rebecca Gould a Iwan Lewis, CYFOES GOGLEDD CYMRU, Online; I\u2019m thinking of you \u2026, GWENT ARTS IN HEALTH, Online; Picture Palace, TRANSITION GALLERY, London; Sprung Spring, G39, Cardiff\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2019<\/strong> C.B Super King Size Bedspread, GALERI, Caernarfon\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2018<\/strong> John Street, LLAWN FESTIVAL, Llandudno; Nightswimming, LLE at Mission Gallery, Swansea; mam.mom.mum, CALL, Tedder House, Llandudno; Things We Said, STUDIO CYBI, Ynys M\u00f4n; Celf, CYFOES GOGLEDD CYMRU, Palace Street, Caernarfon\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2017 <\/strong>SHELF, instagram residency, Online; The Offy, pop-up shop at THE ROYAL STANDARD, Liverpool; Stored in the Depths, Online, cur. Luke Nairn, ISTHISIT?; Wagstaff\u2019s, MOSTYN, Llandudno\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2016 <\/strong>CUL-DE-SAC, Studio Cybi, The Studio, Llandudno; Allegory of The Cave, STUDIO CYBI, Ynys M\u00f4n; Skin Deep, SEIZE @S.T.C.F.T.H.O.T.S, Leeds\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2015 <\/strong>A Bestiary, TURF PROJECTS, London; Neru Phuyt Issue II, K.C. CONTINENTAL STORES, London; Best in Show, It&#8217;s All Tropical, SAME SHIT DIFFERENT DAY GALLERY, London; MOSTYN Open 19, MOSTYN, Llandudno\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2014<\/strong> Gwenan International, THE OLD HAIRDRESSERS, Glasgow;\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2013 <\/strong>Exotic Crop, GOAT MAJOR PROJECTS, Cardiff; Box of Delights, cur. Bedwyr Williams, CONWY FEAST FESTIVAL, Conwy; Haus of Helfa, LLAWN01 FESTIVAL, Llandudno\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2012<\/strong> CAVE art fair, BALTIC CREATIVE CAMPUS, Liverpool; The Autobiography of A Super-Tramp, G39, Cardiff; Boeing Way to Gas Street, 22 GAS STREET, Birmingham; Microcosm, DEPARTURE FOUNDATION, Leeds; Screen from Barcelona, ESPACIO DE PROYECTOS SANT PERE, Barcelona; LOCWS International, Adain Avion, THE NATIONAL MUSEUM, Swansea\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2011<\/strong> Artist&#8217;s Disguised Procession, CECIL SHARP HOUSE, London; Big Deal Sexy 100!!!, WALL TO WALL, London; Grange Gardens Sculpture Commission, GALERIE8, London; Artemisia, ST DAVID\u2019S HALL, Cardiff\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2010<\/strong> Outlander, GALERI, Caernarfon, SOLO; Prop, DEPARTURE GALLERY, London; The Middle Of Nowhere, DEPARTURE GALLERY, London\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2009<\/strong> Auxesis, TACTILE BOSCH, Cardiff; The Shaman Project III, PLAS GLYN Y WEDDW, Llanbedrog\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2008<\/strong> Forget Me, GRISTLE MOUNTAIN, Fort Brockhurst; Live Art, ROYAL CAMBRIAN ACADEMY, Conwy; If You Build It, They Will Come, G39, Cardiff\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2007<\/strong> The Suitcase Project, THE OLD LIBRARY, Cardiff; The Suitcase Project, BEAVER PROJECTS, Copenhagen, Denmark; Magical Thinking, ELEVATOR GALLERY, London; Old Age, GRISTLE MOUNTAIN, Gosport; O Dreamland, TRANSITION GALLERY, Greatstone, Kent; LOCWS INTERNATIONAL 3, Swansea; Feel Good Feel Bad Boys and Girls, LANGE GLASSE 28, Ausberg, Germany; Anglesey Arts Show, THE UCHELDRE CENTRE, Holyhead; Real Writers Residency Programme, G39, Cardiff; Gift, MUSEUM MAN, Liverpool\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2006<\/strong> Objects in Waiting, END GALLERY, Sheffield; The Shaman Project II, BILBAO, Spain; Summer Exhibition, CONTEMPORARY ART PROJECTS, London; Y Lle Celf, THE NATIONAL EISTEDDFOD OF WALES; Askew, MADAME LILLIES, London\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2005<\/strong> Travelling Without Moving, ORIEL WASHINGTON, Cardiff; Another Project, CORNERHOUSE, Manchester; New Works, ORIEL WASHINGTON, Cardiff; MA Show, CENTRAL SAINT MARTIN\u2019S, Charing Cross, London\n\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n\n<strong>2004<\/strong> On The Underbelly, THE GREEN, Clerkenwell, London; Leviathan, CANDID ARTS CENTRE, London; Young Wales 6, ROYAL CAMBRIAN ACADEMY, Conwy; Clean Slate II, BAYART, Cardiff\n\n<!-- \/wp:paragraph -->","protected":false},"excerpt":{"rendered":"<p>Rebecca Gould is a multi-disciplinary artist. She works with sculpture, video and text, her installations explore labour, often through non-braided narrative writing, [&hellip;]<\/p>\n","protected":false},"author":780198,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2222","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/rebeccagould.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/2222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rebeccagould.co.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rebeccagould.co.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rebeccagould.co.uk\/index.php?rest_route=\/wp\/v2\/users\/780198"}],"replies":[{"embeddable":true,"href":"https:\/\/rebeccagould.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2222"}],"version-history":[{"count":79,"href":"https:\/\/rebeccagould.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/2222\/revisions"}],"predecessor-version":[{"id":2819,"href":"https:\/\/rebeccagould.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/2222\/revisions\/2819"}],"wp:attachment":[{"href":"https:\/\/rebeccagould.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}